★ HARP★STAR

Comics

True stories, told panel by panel. The story runs down the left; the comic runs down the right. Read them side by side.

HARP★STAR Presents

The Day Before The Party

20 panels · view on Facebook ↗

HARP★STAR Presents "The Day Before The Party" @followers@highlight the story is real the curse is real and my feeling towards the police ( fuck em ) is final It was 7th grade. The day before my birthday party. The house was full—me and six, maybe seven boys, laid out like kings of the block on faded couches and air mattresses. No girls. Just us. Just boys setting up decorations, tossing up balloons, talking mess, running the halls like we owned the world for a night. My mama finally gave me the greenlight: we could go to the Eastside Boys & Girls Club. But the plan was a lie from the jump. We weren’t really heading there. We had something else in mind. Shaquille’s house. A blunt. So we started walkin’. It was just a few blocks. That’s it. From point A to point C, with a detour at B for a little smoke. Simple. We walked like a school of fish, bouncing a basketball, talking trash, laughin’. And then somebody started singin’. “All through the hood, I keep hearin’ n****s say I’m supposed to die tonight…” The 50 Cent joint. And just like that—the vibe shifted. Because where we came from, that song was cursed. You sing the chorus out loud, and something bad follows. Always. To break the curse, you had to sing The Game’s verse from “Hate It or Love It.” Every kid knew it. You just did. But we didn’t break the curse that day. We kept walkin’, still singin’, still playin’… until we heard tires. A car pulled up fast. Real fast. Screeched behind us, like death itself was in the backseat. “HEY. Come here!” A man’s voice. Loud. Commanding. Wrong. We looked at each other like, Nah. We ran. It wasn’t a clean scatter. It was chaos. Some jumped left, some right. Two men jumped out the car, tryin’ to grab somebody—anybody. We ran like cockroaches under kitchen light. Heart first, no plan, just instincts and concrete. I remember Joseph was next to me. We jumped one fence. Then two. Then three. By the fourth one, he couldn’t make it. He called my name. I stopped. Jumped back over. Grabbed him by the arms and threw him over that damn fence. Then I jumped again. But they caught me. Fists. Feet. Asphalt. I felt bones shake. My back hit pavement. My ribs screamed. I ran again. Ducked through alleyways. Tried to vanish. They kept hitting. It was strange—hit, slow down. Hit, speed up. Hit, slow down again. I took two rights. Thought someone might see me. They didn’t. They boxed me in with the car. Driver hit the gas. I dove. Hit the curb. Felt my jaw bounce off concrete, my face caught between foot and street. Then hands grabbed me. Pulled me headfirst into the car. And this was the part where I felt it: Not fear. Not pain. But a voice. Loud. Clear. Deep inside me. “Wipe the neck. Get heavy. Sprawl.” Three commands. Wrestling technique. I was on the wrestling team. After school. And somehow, I remembered it. Not just in my brain—but in my body. I dropped my weight. Threw my shoulder. Sprawled. Fought. And I broke free. Ran. When the cops came, I was bleeding. Face cracked. Body marked. They took pictures. Pulled out measuring sticks. Documented my wounds. And then? They let the kidnappers go. “They said y’all were breaking into cars. Stealing stereos.” We hadn’t done shit. We were children. Later, I found out two of those men went on to rape two women. They were locked up years later. I don’t know where that woman driver is. But I remember her voice. I remember her laugh. That was the day before my birthday. The party still happened. But I wasn’t the same kid anymore.
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Harp★Star Comics

When Privilege Plays Deaf, Power Speaks Louder

7 panels · view on Facebook ↗

When Privilege Plays Deaf, Power Speaks Louder. White man with a bike. Music BLASTIN'. Loud as hell. Nobody said shit. From SoDo to Stadium, he had that shit turned UP. Security came by. Big ol' boys—green and black uniforms. They said, "Can ya turn it down?" Dude turned it down. Security walked off. But what happened next? Privilege don't know when to stay quiet. A few minutes later… Music's back. Louder. We movin' to the next stop. I'm sittin' there thinkin'… "Okay, he got told already. Why is it back up?" Then this man starts playin' CeeLo Green. "Fuck You." The uncut version. I'm hearin' it, word for word: "I see you drivin' around town with the one I love…" I'm sittin' there. Takin' it all in. But in my head? "This nigga's white ass privilege is gettin' on my damn nerves." I looked around. Nobody sayin' nothin'. I said, "Okay, I'm gonna say somethin'." I was done waitin'. I turned to him and said: "Will you turn that shit down? Turn that shit the fuck down?" But I'm yellin' PAST him—at the wrong dude. I thought it was another guy playin' the music. I'm lookin' at the wrong person. THEN. The man with the bike speaks up: "I'm the one playin' the music." I said: "Oh… well, TURN THAT SHIT DOWN." And then? Dude said: "Well, you ain't gotta yell." That's when it got interesting. Archie-lookin' dude next to me chimes in: "Yeah, turn that shit the fuck down." Now it's TWO white dudes arguin'. Bike Man says: "I didn't ask for another one." I'm sittin' there. Watchin' the mess unfold. Then I said: "Well, you got TWO now." But this man? STILL IGNORIN' ME. I hit him with: "HEY! I'm talkin' to YOU." But dude? He ain't even register that. Still goin' back and forth with the other white dude. That's when I had to cut through it. Pause. Silence. And then I said it. "Hey… BOY." That's what did it. That's when he turned. That's when the air shifted. Music went down. And I hit him with that smooth: "Thank you." Then after ALL that? after two more stops He still had the nerve to say: "Thanks for being polite." I looked down. Looked back up and said: "I was polite because I didn't think your white fragility could handle it the hard way." stunned...he exits That's when the murmurs started. I heard folks unpackin' the moment. "What's white fragility?" "Why did he check him like that?" Younger cats at one end were breakin' it down. Other folks? Lookin' it up on Google. This moment wasn't about me. It was about every ancestor that had to sit in silence. And this time? I let the truth out. When was the last time YOU had to break the silence? id truly love to hear it
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A H.a.r.p★STAR Tuesday Tale

The Chicken Bone & the Crosswalk

7 panels · view on Facebook ↗

The Chicken Bone & the Crosswalk (A H.a.r.p★STAR Tuesday Tale) The story is real The moment .... real real. And yeah—the paranoia? not final but Still alive and disoriented as ever. I'm walkin. Mindin my Black-ass business. Phone in hand—deep in a dream. Promptin. Creatin. World-buildin. The usual. In front of me? An Asian man. Walkin steady—not fast, not slow. Just caught in his own rhythm. Munchin on a chicken leg like it’s his last meal on Earth. All good. We co-existin’ in motion. Till he starts lookin back. Once. Twice. Three times. I ain’t think nothin of it at first— Maybe he just paranoid. Maybe he hear footsteps and need to double-check. I get it. Been there. But then... He tosses the chicken bone. On the sidewalk. And I’m like— “The fuck?” Not even a trashcan flick. Just rawbone desecration on concrete. Still, I keep walkin. Tryna slide toward the street to make my usual turn. Only... the cars are movin heavy. Too thick to cross. So I shift course. Back to the sidewalk. And what happens? He shifts too. Suddenly... it’s awkward choreo. Me & chicken bone bruh movin like we rehearsed it— But wrong. Outta sync. Clumsy. I go left, he go left. I pull back, he pull back. Except his moves ain’t about direction... They about escape. This man think I’m after the chicken. The way he clutchin that bone now like it’s sacred... Like I’m finna snatch it and run. Like my Black presence equals poultry aggression. And I realize— He not watchin the cars. He watchin me. So when he finally steps off the curb, he steps straight into oncoming traffic. Like, fr fr. Head first into death’s whispers. All because he couldn’t plot an exit clean enough. And I’m standin there like— “Damn… he really woulda died just to dodge me?” Couldn’t even play it off. He saw the cars last second, backed up like he just saw God. And in that moment I thought: Some folks so pressed tryna get away from us, they’ll crash headfirst into they own undoing. They don’t know our path. They don’t care about our pace. But they’ll die tryin to escape the story they wrote in they head. Let them go. If your presence feel like pressure, that’s a reflection—not a threat. We ain’t gotta chase, explain, or redirect. We just keep walkin. Because Black existence be so potent... it rearranges reality without speakin. So let me ask you who's been running from you and why do you still care? @followers @highlight #ChickenBoneChronicles #DigitalGriotOnTheMove #CrosswalkConfusion #BlackPresenceAintTheThreat #TheyBeDodgingGhosts #HeAlmostDiedForAFantasy #PromptAndPass #gr8_cre8tions #LetEmGo
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HARP★STAR Presents

Sanctified Chaos & The Wig Heist

12 panels · view on Facebook ↗

HARP★STAR PRESENTS

Sanctified Chaos & The Wig Heist

*As remembered by a boy who saw it all from the pews of Galilee Missionary Baptist Church, Lawton ok
Before the wig. Before the whispers. Before Sister Minnie started speaking in “kiliolokum” tongues and the fellowship line turned into holy warfare... There was Joy. And I don’t mean the feeling. I mean the *song*. Nine in the morning. I stepped to the mic in a robe two sizes too big, feelin the butterflies do backflips in my stomach. But when I opened my mouth? > “I’m so glad I got joy… joy, joy, joy, joy…” That sanctuary lit up. Voices lifted. Feet tappin. Even the ceiling fans felt like they caught the Spirit. Uncle Dwight was behind me on the organ—fingers flyin, face twisted up like he was in a full conversation with God himself. He didn’t just play… he *conducted portals.* After me came Sister Pat Dennis. Low register. Smooth delivery. She sang like she was stashin soul in every syllable. Then came Lisa. Big woman. Bigger voice. When she sang, *walls shifted*. She had the Spirit on speed dial, and when she hit her third note, half the church was on their feet, the other half was tryin to catch their breath. Then came the announcements. That’s when Mrs. Foster stepped to the mic. She never just read ‘em—she *prophesied* them. > “We’d like to welcome all visitors—amen?” But it was when she got to the potluck that it happened. > “Next Sunday after service we’ll be celebratin with a potluck supper… Sister Erma gon’ be blessin us with her world-famous—*BAKED! BEANS!*” She shouted “baked beans” like she was speakin in tongues. She spun once. Shouted again. Uncle Dwight slid into a backup riff like he was in tune with the Lord and the legumes.
After that was the fellowship greeting. Aunties huggin you like they tryin to realign your spine. Lipstick smears. Big arms. Back pats that knocked air out your lungs. I was dodgin affection like it owed me money. Got spun around, hugged twice by the same lady, and kissed so hard my forehead had a lipstick halo for the rest of service.
Then the offering shoutfest began. People shoutin down the aisles. Folks slidin dollars in baskets while poppin holy spins. One lady shouted her way to the front and back like she was runnin a Spirit 4x4 relay. And right in the middle of it all… She appeared. Blue dress. Turquoise hat. Quiet demeanor. She let out a yelp and fell forward. Didn’t stumble—she *rolled.* Right down the center aisle like she’d been pushed by glory itself. Now folks had thrown bills at the pulpit earlier. Singles mostly. Folded up like holy tips. And as she rolled—eyes shut—her hand reached out. She snatched a dollar like it was communion. Then, smooth as a Sunday slide, she tucked it up *under her wig.* Still shoutin. Still jerkin. Still "in the Spirit." I sat there. Blinkin. Frozen. Didn’t nobody else see that? I looked around—Deacons was shoutin. Ushers fannin. Everybody else caught up. Just me. A lil boy with a sharp eye and a mind that kept receipts. I ain’t say nothin. Didn’t want to cause no stir. Didn’t think it was my place. But I been wonderin ever since: > If I didn’t say nothin then, how many more times did she do it?
*We always say “the truth will set you free”… but when do we ever really talk about it?* *Not every church secret is sacred. Some stay buried… 'cause the kids who saw it were too scared to speak.* *Even in holy places, people bring their whole selves—including the parts that hustle under the veil.* *How many truths got buried in your church… ‘cause you were too young to be believed?* @followers @highlight
Produced by: *gr8_cre8tions* Told by: Harp★Star — Herman’s Artistic Revolutionary Plan Copyright: All spirit, all rights, all truth reserved.
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